{"title":"Vocal \u0026 Choral","description":"","products":[{"product_id":"o-holy-night-ssa-version","title":"O Holy Night (SSA version)","description":"\u003cp\u003eSSA pf\u003c\/p\u003e","brand":"Adolphe Charles Adam","offers":[{"title":"Default Title","offer_id":41265702011046,"sku":"GSP45042OCT","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP45042OCT_tile.jpg?v=1631768056"},{"product_id":"aristotle","title":"Aristotle","description":"\u003cp\u003eFor baritone and string quartet. Text: Billy Collins. A piece for baritone and string quartet can, legitimately, be nothing more — or nothing less — than a song group, or cycle, with the strings standing in for the more usual piano. But if you're awarded the privilege of making music for a singing actor of the caliber of Thomas Hampson, and for young musicians of the caliber of the Jupiter Quartet, you want to compose a piece that's both a substantial monologue and a structurally rewarding string quartet at the same time. Billy Collins' Aristotle is built in three long but continuous sections, each spinning numerous, surprising variations on some necessary (to the philosopher) element of drama — beginning, middle, end. — Mark Adamo\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWatch\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.youtube.com\/live\/hjq8gv-lXYw?si=S32oSe8Qn0tj2ITL\u0026amp;t=1851\" target=\"_blank\" rel=\"noopener\"\u003ePerformance by baritone Philip Cutlip and the Canite Quartet\u003c\/a\u003e at the National Opera Center.\u003c\/p\u003e","brand":"Mark Adamo","offers":[{"title":"Default Title","offer_id":41265702863014,"sku":"GSP48376SET","price":66.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP48376SET_tile.jpg?v=1631768066"},{"product_id":"cantate-domino","title":"Cantate Domino","description":"\u003cp\u003eFor SATB chorus and piano. Cantate Domino is as much an étude on certain choral techniques — echo, pulsation, tone clusters — as an exultant and at times improvisatory-sounding outburst cast in a large arch form.\u003cbr\u003e\u003c\/p\u003e","brand":"Mark Adamo","offers":[{"title":"Default Title","offer_id":41265706008742,"sku":"GSP43090CHO","price":105.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP43090CHO_tile.jpg?v=1631768077"},{"product_id":"the-gospel-of-mary-magdalene","title":"The Gospel of Mary Magdalene","description":"\u003cp\u003eFor SATB chorus - libretto only. Drawing on the Gnostic gospels, the canonical gospels, and fifty years of New Testament scholarship, the opera The Gospel of Mary Magdalene reimagines the New Testament through the eyes of its lone substantial female character. Music and Libretto by the composer.\u003c\/p\u003e","brand":"Mark Adamo","offers":[{"title":"Default Title","offer_id":41265712070822,"sku":"GSP45875LIB","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP45875LIB_tile.jpg?v=1631768110"},{"product_id":"here-for-chorus-and-piano","title":"Here (for chorus and piano)","description":"\u003cp\u003eFor SATBar chorus and piano. Written for the New York Virtuoso Singers, Harold Rosenbaum, conductor. This wry, spooky, ultimately exultant poem is by the first-century Greek poet Marcus Argentarius, here in luminous translation by Brooks Haxto. I discovered it when researching my opera Lysistrata, and found its ancient celebration of community and the present moment irresistible. — Mark Adamo\u003cbr\u003e\u003c\/p\u003e","brand":"Mark Adamo","offers":[{"title":"Default Title","offer_id":41265712726182,"sku":"GSP48482OCT","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP48482OCT_tile.jpg?v=1631768119"},{"product_id":"matewan-music-three-appalachian-folksongs","title":"Matewan Music: Three Appalachian Folksongs","description":"\u003cp\u003eFor soprano soloist \u0026amp; SATB chorus a cappella. Traditional texts: 1. Copper Kettle 2. Wildwood Flower 3. Long Black Veil. These were meant to be simple arrangements of three Appalachian folk songs, but they turned out to be rather intricate. \"Copper Kettle,\" is a deliciously comic moonshiner's manifesto, in which the chorus themselves become the burbling still, the stealthy loggers, the drunken townsfolk. \"Wildwood Flower,\" a lament so unguarded it stops the breath, needed only the plainest triads to frame it; but \"Long Black Veil,\" a deadpan confession from beyond the grave of how his married lover, by keeping silent, sent him wrongly to the gallows includes the vengeful prosecutors, the whistling winds, and the deranged vocalise of the guilty woman. — Mark Adamo\u003c\/p\u003e","brand":"Mark Adamo","offers":[{"title":"Default Title","offer_id":41265713414310,"sku":"GSP43091CHO","price":88.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP43091CHO_tile.jpg?v=1631768127"},{"product_id":"no-10-supreme-virtue","title":"No. 10 Supreme Virtue","description":"\u003cp\u003eFor double SATB chorus a cappella. The text, Stephen Mitchell's pellucid translation of a verse of the \"Tao te Ching\" - consists of a series of moral challenges all beginning with the words \"Can you?\" The singers, divided into two SATB choirs, intone the first question against a sighing backdrop of wind sounds: the second choir refracts their words into marimba-like repeated notes. As the questions become tougher, so do the sounds. At a peak of intensity, a looping soprano-alto line leads to a cadenza in which chords appear and vanish into a shimmering, ever-present curtain of sound. — Mark Adamo\u003cbr\u003e\u003c\/p\u003e","brand":"Mark Adamo","offers":[{"title":"Default Title","offer_id":41265716494502,"sku":"GSP43093OCT","price":44.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP43093OCT_tile.jpg?v=1631768135"},{"product_id":"oh-this-i-know","title":"Oh This I Know (for mezzo and string quartet)","description":"\u003cp\u003eFor mezzo-soprano and string quartet. Aria sung by the title character from Adamo's opera, \u003cem\u003eThe Gospel of Mary Magdalene\u003c\/em\u003e. This opera draws on the Gnostic gospels, the canonical gospels, and fifty years of New Testament scholarship to reimagine the New Testament through the eyes of its lone substantial female character.\u003c\/p\u003e","brand":"Mark Adamo","offers":[{"title":"Default Title","offer_id":41265717215398,"sku":"GSP49226SET","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp49226set_tile.jpg?v=1757701948"},{"product_id":"the-poet-speaks-of-praising-satb","title":"The Poet Speaks of Praising (SATB)","description":"\u003cp\u003eFor SATB chorus a cappella. Adaptation of the original TTBB version, written for the fifteenth anniversary of The Gay Men’s Chorus of Washington. Poet Speaks of Praising is a setting of John L. Mood’s translation of Rilke’s Love and Other Difficulties — a miscellany, really, of essays, letters, and the occasional poem — which contained the following emblazoning lines: \"But the monstrosities and the murderous days, | How do you endure them, how do you take them? | — I praise.\" Rilke, in 1921, had sung the kind of determined gratitude I was seeing all about me these days: the will to stay spirited amidst the most dispiriting events.\u003cbr\u003e\u003c\/p\u003e","brand":"Mark Adamo","offers":[{"title":"Default Title","offer_id":41265718657190,"sku":"GSP43400CHO","price":44.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP43400CHO_tile.jpg?v=1631768156"},{"product_id":"the-poet-speaks-of-praising-ttbb","title":"The Poet Speaks of Praising (TTBB)","description":"\u003cp\u003eFor TTBB chorus a cappella. Written for the fifteenth anniversary of The Gay Men’s Chorus of Washington, Poet Speaks of Praising is a setting of John L. Mood’s translation of Rilke’s Love and Other Difficulties — a miscellany, really, of essays, letters, and the occasional poem — which contained the following emblazoning lines: \"But the monstrosities and the murderous days, | How do you endure them, how do you take them? | — I praise.\" Rilke, in 1921, had sung the kind of determined gratitude I was seeing all about me these days: the will to stay spirited amidst the most dispiriting events.\u003cbr\u003e\u003c\/p\u003e","brand":"Mark Adamo","offers":[{"title":"Default Title","offer_id":41265720852646,"sku":"GSP43095CHO","price":44.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP43095CHO_tile.jpg?v=1631768164"},{"product_id":"the-racers-widow","title":"The Racer's Widow","description":"\u003cp\u003eFor mezzo-soprano, cello, and piano. The Racer’s Widow is a cycle of five poems which I sequenced and scored to suggest the emotional journey of the title character. Linda Pastan’s “Jump Cabling” imagines the erotic sparks struck when a man helps the protagonist restart her stalled car. Tennessee Williams’ “Across the Space” and Marge Piercy’s “Sentimental poem” show two snapshots — one hushed and rapt, the other domestic and rollicking — in the romance that’s resulted. \"The Racer’s Widow,\" by Louise Gluck, limns in harrowing detail the end of that romance; and Sara Teasdale’s “The Beloved’ offers a consolation that Gluck leaves unguaranteed. — Mark Adamo\u003cbr\u003e\u003c\/p\u003e","brand":"Mark Adamo","offers":[{"title":"Default Title","offer_id":41265721245862,"sku":"GSP43371SET","price":58.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP43371SET_tile.jpg?v=1631768173"},{"product_id":"this-much-is-new-e-flat-in-treble-clef","title":"This Much Is New (E-flat, in treble clef)","description":"\u003cp\u003eFor voice and piano. Text by Mark Campbell. \"You’ll still snore, \/ Leave your wet towel on the bathroom floor, \/ But also be \/ A source of sanity \/ When I have a loose screw or two. \/ Darling, \/ Darling, \/ What else is new?\"\u003cbr\u003e\u003c\/p\u003e","brand":"Mark Adamo","offers":[{"title":"Default Title","offer_id":41265722130598,"sku":"GSP54385VOC","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP54385VOC_tile.jpg?v=1631768189"},{"product_id":"too-late-in-the-day-sir","title":"Too Late in the Day, Sir","description":"\u003cp\u003eFor tenor, bass-baritone, and string quartet. 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This chamber work, commissioned by Daniel Webster, and was premiered by Benita Valente and the Hancock Chamber Players.\u003c\/p\u003e","brand":"Stephen Albert","offers":[{"title":"Default Title","offer_id":41265746182310,"sku":"GSP23798SET","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP23798SET_tile.jpg?v=1747688073"},{"product_id":"rilke-song-on-nights-like-this","title":"Rilke Song - On Nights Like This","description":"\u003cp\u003eFor soprano, flute, clarinet, violin, cello and piano. \"In 1965, on the eve of my marriage, I wrote a set of five songs for soprano and piano based on the poetry of five poets whom I then greatly admired; William Carlos Williams, Frost, Dickenson, Roethke, and Rilke. The Rilke song, which sat in the middle of that cycle, had always been my favorite and when I was asked by the Da Capo players for a small contribution to their 20th Anniversary Concert, it seemed to offer an excellent opportunity to embellish it with a modest instrumental setting to see whether it might benefit from a richer instrumental environment.\" - Stephen Albert\u003c\/p\u003e","brand":"Stephen Albert","offers":[{"title":"Default Title","offer_id":41265749196966,"sku":"GSP23802SCO","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP23802SCO_tile.jpg?v=1631768334"},{"product_id":"stone-harp-for-solo-tenor-and-ensemble","title":"Stone Harp, for solo tenor and ensemble","description":"\u003cp\u003eTenor perc(timp.vib)\/hp\/2va.2vc\u003c\/p\u003e","brand":"Stephen Albert","offers":[{"title":"Default Title","offer_id":41265753850022,"sku":"GSP23805SET","price":77.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP23805SET_tile.jpg?v=1631768352"},{"product_id":"wedding-songs","title":"Wedding Songs","description":"\u003cp\u003eFor soprano and piano.  This work was first performed at the American Academy in Rome.  Features texts by W. 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This traditional sea chant was arranged by Marshall Bartholomew.\u003c\/p\u003e","brand":"Anonymous","offers":[{"title":"Default Title","offer_id":41265773805734,"sku":"GSP37605OCT","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP37605OCT_tile.jpg?v=1631768420"},{"product_id":"gatatumba","title":"Gatatumba","description":"\u003cp\u003eSATB pf\u003c\/p\u003e","brand":"Anonymous","offers":[{"title":"Default Title","offer_id":41265776394406,"sku":"GSP45048OCT","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/products\/GSP45048OCT_tile.jpg?v=1631768427"},{"product_id":"goin-to-set-down-an-rest-awhile","title":"Goin' to Set Down an' Rest Awhile","description":"\u003cp\u003eSATB\u003c\/p\u003e","brand":"Anonymous","offers":[{"title":"Default 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