{"title":"New releases","description":"","products":[{"product_id":"eastman-femenine","title":"Femenine","description":"\u003cp\u003erichard valitutto, editorial advisor\u003c\/p\u003e\n\u003cp\u003eOpen instrumentation for winds, marimba\/vibraphone, sleigh bells (all players), piano, and bass.\u003c\/p\u003e\n\u003cp\u003e17 performance scores in several transpositions are included: \u003cbr\u003eC, 5 performance scores\u003cbr\u003eB-flat, 5 performance scores\u003cbr\u003eG, 1 performance score\u003cbr\u003eF, 3 performance scores\u003cbr\u003eE-flat, 3 performance scores\u003c\/p\u003e\n\u003cp\u003eNot all scores need be used in performance.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.wisemusicclassical.com\/work\/57875\/\" target=\"_blank\"\u003eRead richard valitutto's performance note\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e.\u003c\/p\u003e","brand":"Julius Eastman","offers":[{"title":"Default Title","offer_id":44104746303654,"sku":"GSP57875SET","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp57875set_tile.jpg?v=1682676722"},{"product_id":"frank-i-heard-the-redwoods-sing-for-piano","title":"I Heard the Redwoods Sing for piano","description":"\u003cp\u003eFor piano. Commissioned by Ann DuHamel, with support from the University of Minnesota Imagine Fund Award and the University of Minnesota Morris Faculty Research Enhancement Funds.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003e\nI live in one of the last remaining concentrations of old growth redwoods. The trees are magnificent, silent witnesses to centuries of earthly life. Many bear fire scars from a time before the current climate crisis; they cannot survive the apocalyptic fires that beset us today. My husband toils every day on our land to create the conditions for our house and trees to survive a future conflagration. He tells me often that he can hear the redwoods sing.\u003c\/p\u003e\n\u003cp\u003e— Gabriela Lena Frank\u003c\/p\u003e","brand":"Gabriela Lena Frank","offers":[{"title":"Default Title","offer_id":45350197919910,"sku":"GSP63573SCO","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp63573sco-tile.jpg?v=1715607836"},{"product_id":"tower-love-letter-for-piano","title":"Love Letter (for piano)","description":"\u003cp\u003eJoan Tower dedicated \u003cem\u003eLove Letter\u003c\/em\u003e to her late husband of many decades, Jeff.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5C-8qC75Q58?si=0c3JueoJm7DuBxvp\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Joan Tower","offers":[{"title":"Default Title","offer_id":45934403551398,"sku":"GSP80943SCO","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp80943sco_tile.jpg?v=1730920858"},{"product_id":"du-yun-under-a-tree-violin","title":"Under a tree - an udātta (for violin with optional recording)","description":"\u003cp\u003efor violin with optional recording\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003eThe playback is a chant from a temple, to be played right before the violinist starts through the end, with a gradual fade once the violinist ends.\u003c\/p\u003e\n\u003cp\u003eA heart murmur.\u003c\/p\u003e\n\u003cp\u003e— Du Yun\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eudātta: A high pitch accent of Vedic Sanskrit, the acute and unchangeable accent is called udātta, which is the principal linguistic accent marker that is unique to each word carrying a particular meaning. Vedic Sanskrit has a pitch-based accent for each word.\u003c\/p\u003e","brand":"Du Yun","offers":[{"title":"Default Title","offer_id":45978284916902,"sku":"GSP63870BND","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/GSP63870BND_tile_c428d183-8058-4003-8cad-287ba3b237df.jpg?v=1746219520"},{"product_id":"revelations-of-divine-love-for-baritone-and-piano-quintet","title":"Revelations of Divine Love (for Baritone and Piano Quintet)","description":"\u003cp\u003e\u003cspan\u003eFor baritone and piano quintet (ed. July 2025). This arrangement was commissioned by Orchestra of St. Luke's, with the generous support of Larry Ruttman and Eric Schmider.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe original version of Revelations, for baritone and piano, was commissioned for New York Festival of Song and Theo Hoffman with support from the Julian Autrey Song Foundations, Theo Hoffman, and Steven Blier\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003eThe medieval mystic Julian of Norwich’s \u003cem\u003eRevelations of Divine Love\u003c\/em\u003e is one of the strangest and most searingly potent visionary texts ever written. When she was thirty years old, Julian fell gravely ill and believed her death was imminent. As she lay sick, she had a series of visions (“shewings”) of Jesus, which she described in writing after her unexpected recovery.\u003c\/p\u003e\n\u003cp\u003eI’m drawn to texts that tell of experiences that are right on the border between the religious and the erotic: I’ve explored this ambiguity in pieces like \u003cem\u003eThis Earth\u003c\/em\u003e, which sets a tantalizing passage from Dante’s \u003cem\u003ePurgatorio\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eJulian’s \u003cem\u003eRevelations\u003c\/em\u003e goes to both extremes: it is intensely spiritual (Julian lived much of her life as an anchoress, confined to a small cell within a church so that she could devote herself entirely to worship) and also intensely physical. Her visions are sometimes gruesome: she witnesses blood trickling from Jesus’s wounds, and the decay of her Savior’s body. Her longing for Jesus and identification with him (“I would that His pains were my pains…I desired to suffer with Him”) is so intense that any theoretical boundary between the religious and the erotic is surely obliterated.\u003c\/p\u003e\n\u003cp\u003eMy musical setting takes a section from early in the \u003cem\u003eRevelations\u003c\/em\u003e, the section that recounts Julian’s illness, her belief that she is sure to die, and then her mysterious recovery. I happened to be exactly Julian’s age (“thirty years old and a half”) when I wrote the piece, and her account of her sickness felt disturbingly relevant, given that it was written during some of the bleakest months of the COVID-19 pandemic.\u003c\/p\u003e\n\u003cp\u003eI wrote this piece for my friends Theo Hoffman and Adam Nielsen, with the generous support of the New York Festival of Song.\u003c\/p\u003e\n\u003cp\u003e— Matthew Aucoin\u003c\/p\u003e","brand":"Matthew Aucoin","offers":[{"title":"Default Title","offer_id":46007631511718,"sku":"GSP80650SET","price":37.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/aucoinrevelations_tile.jpg?v=1733936015"},{"product_id":"the-charm-bracelet-for-piano","title":"The Charm Bracelet (for piano)","description":"\u003cp\u003efor piano\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMovements\u003c\/strong\u003e\u003cbr\u003e1. Two Little Shoes – Allegro\u003cbr\u003e2. Four Leaf Clover – Andante\u003cbr\u003e3. The Little Soldier – March\u003cbr\u003e4. The Golden Heart – Lento\u003cbr\u003e5. The Pony – Allegro\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cbr\u003eFranz Waxman composed \u003cem\u003eThe Charm Bracelet\u003c\/em\u003e (1949) as a set of five short pieces for young pianists. He dedicated them to his son, John. \u003c\/p\u003e\n\u003cp\u003eWaxman created a musical picture of the charms one might find on a bracelet. The first of the set, “The Two Shoes,” begins with an ostinato-like figure playing prominently over the introduction of the melody. It is a whimsical scherzo-like portrait.\u003c\/p\u003e\n\u003cp\u003e“The Four Leaf Clover” is a waltz with a bittersweet flavor. \u003c\/p\u003e\n\u003cp\u003e“The Little Soldier” is a playful march.\u003c\/p\u003e\n\u003cp\u003eOf the set of five, “The Golden Heart” remains the most intimate in its sentiment.\u003c\/p\u003e\n\u003cp\u003e“The Pony,” the most virtuosic of the set, is a lively romp with bi-tonal suggestions running throughout and acts as a brilliant close to the suite.\u003c\/p\u003e","brand":"Franz Waxman","offers":[{"title":"Default Title","offer_id":46048605077670,"sku":"GSP62651SCO","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp62651sco_tile.jpg?v=1735939683"},{"product_id":"mazzoli-millennium-canticles-for-percussion-quartet","title":"Millennium Canticles (for percussion quartet)","description":"\u003cp\u003eFor percussion quartet.\u003c\/p\u003e\n\u003cp\u003eInstruments: wood planks, tin cans, junk metal, tom-toms, bass drums (lion's roar), chimes, pipes, whistles, Waldteufel\u003c\/p\u003e\n\u003cp\u003eCommissioned by Third Coast Percussion with lead support from Elizabeth and Justus Schlichting, and additional support from Bruce Oltman, the Third Coast Percussion New Works Fund, and the Maxine and Stuart Frankel Foundation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMillennium Canticles\u003c\/em\u003e was inspired by the dark comedic play \u003cem\u003eMr. Burns\u003c\/em\u003e by Anne Washburn. In the play, a group of survivors in a post-apocalyptic world try to remember the plot of an episode of the television sitcom \"The Simpsons.\" They recreate the episode in an increasingly ritualized and exaggerated way to cope with their trauma and to find meaning in the world.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMovements\u003c\/strong\u003e\u003cbr\u003ePart 1: Famous Disaster Psalm\u003cbr\u003ePart 2: The Doubter’s Litany\u003cbr\u003ePart 3: Bloodied Bells\u003cbr\u003ePart 4: Choir of the Holy Locusts\u003cbr\u003ePart 5: Survival Psalm\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0VWVTdpOdHk?si=YNDxRSfhWXVIQd6J\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Missy Mazzoli","offers":[{"title":"Default Title","offer_id":46055144849574,"sku":"GSP62535SET","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp62535set_tile.jpg?v=1736268642"},{"product_id":"the-rest-is-our-world-for-harp-with-optional-voice","title":"The Rest is Our World for harp (with optional voice)","description":"\u003cp\u003e\u003cb\u003eComposer note\u003c\/b\u003e\u003cbr\u003efor a harpist on a lawn\/ balcony\/ porch\/ hallway\/ in the woods\/ on the mountain\/ by the pond\/ or any public space, with an optional voice.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eCommissioned by the Cincinnati Symphony Orchestra and Cincinnati Pops. Premiered online by Gillian Benet Sella, harp, 20th September 2020.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pZ9ufSFJUpM?si=iFcBhKjXNB9AkQMv\" height=\"315\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Du Yun","offers":[{"title":"Default Title","offer_id":46170166165670,"sku":"GSP61209SCO","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/GSP61209SET_tile1_6789c0d9-25ac-42db-9550-3f0ec6c5ade5.jpg?v=1746220042"},{"product_id":"snappy-patter-for-trombone","title":"Snappy Patter (for trombone)","description":"\u003cp\u003eFor trombone\u003c\/p\u003e\n\u003cp\u003e“The title probably relates to many things, but for sure one aspect is that I never stopped excitedly talking in LSO rehearsals – I think we shared a bit of a mischievous streak! The atmosphere back then was not just about great music but about fun and the love of life. Michael never assumed the role of 'boss' and to this day remains the most respectful Chief Conductor I have ever experienced.”\u003c\/p\u003e\n\u003cp\u003e— Ian Bousfield, trombone\u003c\/p\u003e\n\u003ciframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/track\/3AYTgGkjpyNdf4kv7gWeqe?utm_source=generator\" width=\"100%\" height=\"80\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Michael Tilson Thomas","offers":[{"title":"Default Title","offer_id":46191859400870,"sku":"GSP81271SCO","price":9.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp81721sco_tile.jpg?v=1746820858"},{"product_id":"give-me-back-my-fingerprints-with-optional-voice","title":"give me back my fingerprints (with optional performer)","description":"\u003cp\u003efor violin and an optional improvising performer\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003eThe piece is a personal narrative for both Jenny [Koh] and me. A woman’s scream for independence, revealing and manifesting the strength of both women’s emotional connection to each other. Intimacy has also, in turn, catharsis, a primal need.\u003c\/p\u003e\n\u003cp\u003e— Du Yun\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003ePlease note: an optional improviser of any instrument, vocalist styles, acting, etc, is highly encouraged.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe loading=\"lazy\" height=\"80\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/track\/4Q5Oc7zUtyLnx0bP2j6ZUT?utm_source=generator\" style=\"border-radius: 12px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Du Yun","offers":[{"title":"Default Title","offer_id":46201664274598,"sku":"GSP60593SCO","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp60593sco_tile_-_schirmer.jpg?v=1746113726"},{"product_id":"toft-serenade-for-violin-and-piano","title":"Toft Serenade (for violin and piano)","description":"\u003cp\u003eFor violin and piano. 2025 revision\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePremiere\u003c\/strong\u003e\u003cbr\u003eRachel Barton Pine, violin\u003cbr\u003eMatthew Hagle, piano\u003cbr\u003eChicago, IL\u003cbr\u003e28 October 2006\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eToft Serenade\u003c\/em\u003e for violin and piano, composed in 2006, is a six-minute duo commissioned by Christopher and Douglas Toft for their parents, Richard and Marietta, in honor of their respective 70th and 65th birthdays. It was premiered by Rachel Barton Pine, violin and Matthew Hagle, piano in Chicago on October 28, 2006 at a private party.\u003cbr\u003e\u003cbr\u003eThis Serenade is organic and, at every level, concerned with transformations and connections.\u003cbr\u003e\u003cbr\u003eA version for viola and piano also exists of \u003cem\u003eToft Serenade\u003c\/em\u003e. It is identical, just transposed down a perfect fifth.\u003cbr\u003e\u003cbr\u003e— Augusta Read Thomas\u003c\/p\u003e","brand":"Augusta Read Thomas","offers":[{"title":"Default Title","offer_id":46219408048294,"sku":"GSP35831SET","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp35831set_tile.jpg?v=1741978965"},{"product_id":"toft-serenade-for-viola-and-piano","title":"Toft Serenade (for viola and piano)","description":"\u003cp\u003eFor viola and piano. 2025 revision\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePremiere\u003c\/strong\u003e\u003cbr\u003eRachel Barton Pine, violin\u003cbr\u003eMatthew Hagle, piano\u003cbr\u003eChicago, IL\u003cbr\u003e28 October 2006\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eToft Serenade\u003c\/em\u003e for violin and piano, composed in 2006, is a six-minute duo commissioned by Christopher and Douglas Toft for their parents, Richard and Marietta, in honor of their respective 70th and 65th birthdays. It was premiered by Rachel Barton Pine, violin and Matthew Hagle, piano in Chicago on October 28, 2006 at a private party.\u003cbr\u003e\u003cbr\u003eThis Serenade is organic and, at every level, concerned with transformations and connections.\u003cbr\u003e\u003cbr\u003eThe version for viola and piano of \u003cem\u003eToft Serenade \u003c\/em\u003eis identical to the original, just transposed down a perfect fifth.\u003cbr\u003e\u003cbr\u003e— Augusta Read Thomas\u003c\/p\u003e","brand":"Augusta Read Thomas","offers":[{"title":"Default Title","offer_id":46219416764582,"sku":"GSP47202SET","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp47202set_tile.jpg?v=1741979451"},{"product_id":"elegy-for-those-we-lost-for-trumpet-and-harp","title":"Elegy - for those we lost (for trumpet and harp)","description":"\u003cp\u003eFor trumpet and harp, edited by Yolanda Kondonassis\u003c\/p\u003e\n\u003cp\u003eArranged for Michael Sachs and Yolanda Kondonassis\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003eI wrote \u003cem\u003eElegy - for those we lost\u003c\/em\u003e during the pandemic month of May 2020, when it became clear that the toll of covid-19 on human lives was truly devastating. I hope through this short work that listeners can find a space of solace to reflect, remember and mourn those we have lost — known or unknown to us, and allow us to find compassion to share this time as brothers and sisters together. \u003cbr\u003e\u003cbr\u003e— Aaron Jay Kernis\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/6L2SURjot9EHAN0ZQI7qmz?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Aaron Jay Kernis","offers":[{"title":"Default Title","offer_id":46267400454310,"sku":"GSP81338SET","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp81338set_tile_469a54e0-34aa-402d-8ad0-2a6f2f1c150c.jpg?v=1744382138"},{"product_id":"farewell-for-soprano-violin-piano","title":"Farewell (for soprano, violin, piano)","description":"\u003cp\u003efor soprano, violin, piano. Commissioned by The YIVO Institute for Jewish Research.\u003c\/p\u003e\n\u003cp\u003e(The yiddish lyrics are transliterated.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnglish Translation \u003c\/strong\u003e\u003cbr\u003eO farewell my beloved parents!\u003cbr\u003eI’m traveling away on a distant path,\u003cbr\u003eWhere no winds blow,\u003cbr\u003eAnd where no birds fly,\u003cbr\u003eAnd where no roosters crow.\u003cbr\u003eFarewell my beloved parents!\u003cbr\u003eI’m travelling away from you…\u003cbr\u003eYou should have health and life,\u003cbr\u003eAnd I, a happy path.\u003c\/p\u003e","brand":"Aaron Jay Kernis","offers":[{"title":"Default Title","offer_id":46289722179750,"sku":"GSP81342SET","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp81342set_tile.jpg?v=1744319312"},{"product_id":"kernis-angel-lullaby-for-piano","title":"Angel Lullaby (for piano)","description":"\u003cp\u003efor piano, composed 2006, revised 2012\u003c\/p\u003e\n\u003ciframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/track\/4ZA1hC4jMOFHByQKkRP7gT?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Aaron Jay Kernis","offers":[{"title":"Default Title","offer_id":46291542573222,"sku":"GSP36741SCO","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp36741sco_tile.jpg?v=1744405399"},{"product_id":"belle-seine-for-soprano-and-piano","title":"Belle Seine (for soprano and piano)","description":"\u003cp\u003eFor soprano and piano. Text by the French poet, novelist, journalist, historian, sculptor, and illustrator Lucie Delarue-Mardrus.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePROMENADES\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBelle Seine luisante et courbe qui me suis\u003cbr\u003eEntre tes berges d’herbe et de trèfle sauvage,\u003cbr\u003eChaque jour, seule avec mon âme et mon visage,\u003cbr\u003eJe promène le long de toi ce que je suis.\u003cbr\u003eVoici donc ma jeunesse, ivre en sa plénitude,\u003cbr\u003eJoignant sans le savoir à tes reflets plongeants\u003cbr\u003eSa curiosité des choses et des gens\u003cbr\u003eEt son esprit nourri de pensée et d’étude.\u003cbr\u003eVoici mon cœur, mêlant ce qu’il aime le mieux,\u003cbr\u003eSans y songer, à l’ombre obscure des érables ;\u003cbr\u003eVoici, débordant tout, mes sens impérieux\u003cbr\u003eCourant, comme à la mer tes eaux indétournables…\u003cbr\u003e— Ainsi ma vie emporte avec un pas égal\u003cbr\u003eSa sensualité, ses songes, sa tendresse,\u003cbr\u003eEt, pour son avenir abandonnant sans cesse\u003cbr\u003eSon passé, comme toi va d’amont en aval;\u003cbr\u003eAinsi, plus sinueuse et multiple et profonde\u003cbr\u003eQue toi, s’unit à toi celle de tous les jours\u003cbr\u003eQui fréquente à grands pas tes lents tours et détours\u003cbr\u003eEt mire en toi ses yeux qui contiennent un monde.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLucie Delarue-Mardrus\u003cbr\u003e\u003cem\u003eHorizons\u003c\/em\u003e\u003cbr\u003e1904\u003cbr\u003eEd. Eugène Fasquelle\u003cbr\u003ep. 81-82\u003c\/p\u003e","brand":"Nathaniel Stookey","offers":[{"title":"Default Title","offer_id":46361339232422,"sku":"GSP81450VOC","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp81450voc_tile.jpg?v=1747163528"},{"product_id":"caritas-for-soprano-piano-and-string-quartet","title":"Caritas (for soprano piano and string quintet)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor soprano, piano, and string quintet. Lyrics by Hildegard von Bingen and the composer. Commissioned by Deutsche Grammophon for Emily D’Angelo.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eCaritas\u003c\/em\u003e began life as a song for mezzo-soprano, string quartet, and harp, commissioned by Deutsche Gramophon for mezzo Emily D'Angelo's debut album, \u003cem\u003eEnargeia\u003c\/em\u003e. Emily knew I was writing an opera about 12th-century composer\/visionary\/polymath Hildegard von Bingen, and asked me to write a piece inspired by her texts. I created a poem of sorts based on various Hildegard texts about the Biblical virtue Caritas, or Charity, to whom she often prayed. For Hildegard, Caritas embodied the Female Divine; along with Sapientiae (or Wisdom), she was God's partner in creating the Universe. In this song, Caritas sings in the first person about being the life force behind the sun, moon, stars, and sea; the greenness in nature; and the vibrance in all living things.\u003c\/p\u003e\n\u003cp\u003e— Sarah Kirkland Snider\u003c\/p\u003e","brand":"Sarah Kirkland Snider","offers":[{"title":"Default Title","offer_id":46379858493606,"sku":"GSP81523SET","price":48.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp81523set.jpg?v=1747946739"},{"product_id":"concertina-for-flute-clarinet-violin-cello","title":"Concertina (for flute clarinet violin and cello)","description":"\u003cp\u003eFor fl(afl), cl(bcl), vn, vc. Commissioned by Hub New Music. Written for Hub New Music\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003eThe concertina, with its expanding and contracting bellows, seems like an apt metaphor for the way this piece works. In fact, I thought of the name very early on, and this oscillating motion of filling out and squeezing in influences the piece on every level, from the pattern through the metrically shifting phrases to the larger shape. It was a joy to write this piece for the wonderfully focused players of Hub New Music.\u003cbr\u003e\u003cbr\u003e— Donnacha Dennehy\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.donnachadennehy.com\/smaller-ensemble-pieces\/concertina-2023\" target=\"_blank\"\u003eWatch a performance by HUB New Music\u003c\/a\u003e\u003c\/p\u003e","brand":"Donnacha Dennehy","offers":[{"title":"Default Title","offer_id":46408523776166,"sku":"GSP62056SET","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp62056set_tile.jpg?v=1748894588"},{"product_id":"tracks-have-vanished-two-piano-arr-of-mvt-i","title":"The Tracks Have Vanished (Two-Piano Arrangement of Movement I)","description":"\u003cp\u003efor two pianos\u003c\/p\u003e\n\u003cp\u003eCommissioned by The Juilliard School. Original version commissioned by the Irving S. Gilmore International Piano Festival.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note (for the original version)\u003c\/strong\u003e\u003cbr\u003ePlenty of composers have written transcriptions of operas for solo piano, whether their own operas or those by other composers: think of Liszt’s virtuosic fantasias on the works of Bellini, Verdi, and Wagner; or, in more recent years, Thomas Adès’s playful “paraphrases” on his own operas.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe tracks have vanished\u003c\/em\u003e is something different: it is a transcription from an imaginary opera — or rather, a still-unwritten one. I have become fascinated in recent years by Dostoevsky’s prophetic novel \u003cem\u003eDemons \u003c\/em\u003e(which is still better known in English as \u003cem\u003eThe Possessed \u003c\/em\u003e— an old and inaccurate translation of its title). \u003cem\u003eDemons \u003c\/em\u003etells a story that feels all too relevant today: it’s a tale of the rise of nihilism within a complacent and unsuspecting society. Specifically, it deals with the way that the spiritual malaise of young, privileged, bored, lost young men can have deadly consequences.\u003c\/p\u003e\n\u003cp\u003eNormally, when I write instrumental music, I don’t think in explicitly dramatic terms; the musical materials themselves contain plenty of drama! But in this case, unusually, I did start from specific images and moments within the story.\u003c\/p\u003e\n\u003cp\u003eThe work is cast in two movements. The first is inspired, broadly speaking, by the dynamic between the two tormented young nihilists at the novel’s center. There is also a hidden little setting of Pushkin’s poem “Demons,” which serves as the novel’s epigraph: “Upon my life the tracks have vanished \/ We’ve lost our way, what shall we do?”\u003c\/p\u003e\n\u003cp\u003eThe second movement was initially inspired by a chapter — suppressed by a censor in Dostoevsky’s lifetime — in which one of the protagonists visits a monk and confesses to having cruelly taken advantage of a young girl years earlier.\u003c\/p\u003e\n\u003cp\u003eBut here’s the thing: music is music, and none of these dramatic ideas served as more than an initiating impulse. Just as Beethoven once said that the metronome markings in his scores were only valid for the first few bars, the narrative inspiration for each of these movements only proved to be valid for the first few bars. After that, the music had its own ideas.\u003c\/p\u003e\n\u003cp\u003e— Matthew Aucoin\u003c\/p\u003e","brand":"Matthew Aucoin","offers":[{"title":"Default Title","offer_id":46424606671014,"sku":"GSP81090SET","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp81090set_tile.jpg?v=1749583657"},{"product_id":"tower-new-day-piano-reduction","title":"A New Day (piano reduction)","description":"\u003cp\u003eConcerto for cello and orchestra - piano reduction.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eA New Day\u003c\/em\u003e was commissioned by The Colorado Music Festival, The Cleveland Orchestra, The Detroit Symphony Orchestra, and The National Symphony Orchestra. It was commissioned for and is dedicated to the amazing cellist Alisa Weilerstein.\u003c\/p\u003e\n\u003cp\u003eI wrote the music with love to Jeff, my partner of 48 years, who turned 94 in April of 2021. While composing this piece, I realized that our long time together was getting shorter, becoming more and more precious with each new day…\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA New Day\u003c\/em\u003e is in four movements: “Daybreak,” “Working Out,” “Mostly Alone,” and “Into the Night.” Those titles are suggestions, open to interpretation of what the music might refer to. Following the opening movement’s lyrical beginning, the soloist nudges the orchestra onward at a brisk clip. A moment of reflection leads to the second movement and the work at hand. The third movement is like a cadenza for solitary cello — into which the orchestra’s strings occasionally make appearances. The closing movement rushes forward into the night — ending with hope for another new day.\u003c\/p\u003e\n\u003cp\u003eI want to thank the conductor Peter Oundjian for connecting me with Alisa and initiating the concerto’s commission.\u003c\/p\u003e\n\u003cp\u003e— Joan Tower\u003c\/p\u003e","brand":"Joan Tower","offers":[{"title":"Default Title","offer_id":46446429470886,"sku":"GSP61203RED","price":43.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp61203red_tile.jpg?v=1750547443"},{"product_id":"schlummerlied-vocal-score","title":"Schlummerlied (vocal score)","description":"\u003cp\u003eFor voice and piano. Orchestral materials are \u003ca href=\"https:\/\/www.wisemusicclassical.com\/work\/81570\/Schlummerlied--Julius-B%C3%BCrger\/\" target=\"_blank\"\u003eavailable on rental\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eIn 1985, Julius Bürger orchestrated four songs, three of these originally written for voice and piano: \u003cem\u003eSchlummerlied\u003c\/em\u003e (undated, text by A. Mombert), \u003cem\u003eSo tanze meine Seele\u003c\/em\u003e (1968, text by A. von Halzfeld), \u003cem\u003eVenedig\u003c\/em\u003e (1970, text by F. Nietzsche), and \u003cem\u003eVerborgenheit\u003c\/em\u003e (arranged after 1940, text by E. Mörike, music by Hugo Wolf).\u003c\/p\u003e\n\u003cp\u003eFor his vocal works, Bürger drew almost exclusively from German-language poetry, selecting texts by major Germanic authors. Most of these settings remain entirely in German, preserving the language’s natural musicality and depth.\u003c\/p\u003e\n\u003cp\u003eStylistically, these lieder are deeply rooted in the traditions of late Romanticism, reflecting the rich, expressive musical language characteristic of \u003cem\u003efin-de-siècle\u003c\/em\u003e Vienna. With these rescored versions, Bürger brings a new dimension of orchestral color and nuance to his interpretations, offering a fresh perspective on this timeless repertoire.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/track\/7vgctfzF8ZXpIqmSZWx0zJ?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Exilarte Edition\u003c\/strong\u003e\u003cbr\u003eG. Schirmer\/Wise Music’s Exilarte Edition exclusively publishes works by composers who were persecuted, forced into exile, or murdered by the Nazi regime. All original manuscripts of these works are archived in the Exilarte Center at the mdw – University of Music and Performing Arts Vienna in Austria.\u003c\/p\u003e","brand":"Julius Bürger","offers":[{"title":"Default Title","offer_id":46461838033062,"sku":"GSP81570VOC","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp81570voc_tile.jpg?v=1750948321"},{"product_id":"cabin-in-the-sky-vocal-score","title":"Cabin in the Sky vocal score","description":"\u003cp\u003eAvailable in the US only.\u003c\/p\u003e\n\u003cp\u003eVocal score of the musical.\u003c\/p\u003e\n\u003cp\u003eComposed by Vernon Duke with a book by Lynn Root and lyrics by John Latouche. \u003cem\u003eCabin in the Sky\u003c\/em\u003e premiered on Broadway at the Martin Beck Theatre on October 25, 1940 and ran for 156 performances. A film version followed in 1943.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/track\/42t4gG4ppUa5qn7KjYYJFx?utm_source=generator\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vernon Duke","offers":[{"title":"Default Title","offer_id":46498917679270,"sku":"GSP82994VOC","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp82994voc_tile.jpg?v=1752507602"},{"product_id":"sextet-for-trumpet-piano-and-strings","title":"Sextet (for trumpet, piano, and strings)","description":"\u003cp\u003efor trumpet, piano, violin, viola, cello, bass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMovements\u003c\/strong\u003e\u003cbr\u003eI. Allegro\u003cbr\u003eII. Andante\u003cbr\u003eIII. Hocket\u003cbr\u003eIV. Scherzo\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003eI wrote my Sextet for trumpet, violin, viola, cello, contrabass, and piano during the Covid pandemic for Orli Shaham and musicians from the Pacific Symphony. Orli and I have collaborated often, and she has commissioned several of my works. Writing this piece for her and these players gave me a sense of connection at a time of isolation.\u003c\/p\u003e\n\u003cp\u003eAt the core of the Sextet is a tension inspired by Schumann’s two alter egos: Florestan, fiery and explosive, and Eusebius, reflective and ruminative. In the pandemic, I felt those two sides of myself more acutely than ever — energy wanting to be dissipated meeting mandatory silence.\u003c\/p\u003e\n\u003cp\u003eThe first Allegro bubbles with Florestan’s passion: repeated notes, symmetrical harmonies, and an irresistible forward drive. It is directly inspired by Schumann’s Toccata, reimagined in a modern idiom that transforms its relentless energy into my own language.\u003c\/p\u003e\n\u003cp\u003eThe Andante is Eusebius's answer: soft, balanced, and restrained. In its bass line it alludes to Bach's slow movement from Violin Concerto in A minor to ground the music with a kind of continuity and quiet interchanges throughout centuries.\u003c\/p\u003e\n\u003cp\u003eThe third movement, Hocket, is like two movements wrapped in one. It begins as a quick, sparkling pattern of overlapping canons, like Florestan at his most unruly, to give way to a slow ghostly chorale where Eusebius is in charge. Harmonics, mutes, and fragile lines hover as if time has stopped, music timeless and frozen.\u003c\/p\u003e\n\u003cp\u003eFinally, the Sextet culminates with a paraphrase of Schumann's scherzo from his Piano Quintet. It seemed important to let Schumann himself join the dialogue, as he embodies the interchange between future and past, between Florestan and Eusebius. His scherzo becomes a seed for rhythmic play — syncopations and minimalist ostinatos that build to a jubilant conclusion where both voices are reconciled. For me, the Sextet is about extremes held together in balance: flame and silence, rush and rapt attention, isolation of quarantine and vicarious relationship with players and listeners. It is Schumann’s dialogue, refracted through my own, culminating in joy.\u003c\/p\u003e\n\u003cp\u003e— Avner Dorman\u003c\/p\u003e","brand":"Avner Dorman","offers":[{"title":"Default Title","offer_id":46510231552166,"sku":"GSP62332SET","price":88.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp62332set_tile.jpg?v=1752688951"},{"product_id":"feathers-are-prickly-things-from-angels-bone-for-chorus-and-tam-tam","title":"Feathers Are Prickly Things (from Angel's Bone) for chorus and tam-tam","description":"\u003cp\u003eFor SATB chorus. (Package of 10 octavos).\u003c\/p\u003e\n\u003cp\u003eText by Royce Vavrek (English)\u003c\/p\u003e","brand":"Du Yun","offers":[{"title":"Default Title","offer_id":46529774682278,"sku":"GSP83010OCT","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp83010oct_tile.jpg?v=1753296240"},{"product_id":"oboe-quartet-in-ten-parts","title":"Oboe Quartet in Ten Parts","description":"\u003cp\u003efor oboe, violin, viola, cello. 20 minutes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003eThe quartet for oboe and string trio was commissioned by Chamber Music Northwest, the Great Lakes Chamber Music Festival, and Music from Angel Fire. They graciously allowed the World Premiere to take place during the 50th anniversary season of the Santa Fe Chamber Music Festival. The piece’s dedication reads: “For Steven Ovitsky with gratitude, respect, and friendship.”\u003c\/p\u003e\n\u003cp\u003eThe structure consists of 10 movements, which are short enough that I refer to them as “parts” rather than movements. They are analogous to a web or weaving and present several strands or musical aspects, which evolve and expand. So, for example, parts 1, 5, and 9 are one strand, and parts 3, 6, and 8 are another. Part 10 is a culmination of both those strands.\u003c\/p\u003e\n\u003cp\u003e— © Marc Neikrug\u003c\/p\u003e","brand":"Marc Neikrug","offers":[{"title":"Default Title","offer_id":46542786920614,"sku":"GSP63589SET","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp63589set_tile.jpg?v=1753725439"},{"product_id":"neikrug-fantasy","title":"Fantasy","description":"\u003cp\u003efor \u003cspan\u003eclarinet, viola, cello, and percussion\u003c\/span\u003e. 10 minutes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note \u003c\/strong\u003e\u003cbr\u003eFantasy for clarinet, viola, cello, and percussion, was written in 2025. It consists of six parts which are played by various couplings and combinations of the instruments. There is no program to the music, but it is rather an exploration of various emotional states, which flow in a coherent stream. I am a firm believer of music as its own expression, beyond description.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e— Marc Neikrug\u003c\/p\u003e","brand":"Marc Neikrug","offers":[{"title":"Default Title","offer_id":46544811589798,"sku":"GSP81087SET","price":25.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp81087set_tile.jpg?v=1753809403"},{"product_id":"las-cinco-lunas-de-lorca-countertenor-satb-chorus-and-piano-set-of-10-octavos","title":"Las cinco lunas de Lorca (countertenor, SATB chorus, and piano, set of 10 octavos)","description":"\u003cp\u003eFor countertenor, SATB chorus, and piano.\u003c\/p\u003e\n\u003cp\u003eThis version of \u003cem\u003eLas cinco lunas de Lorca\u003c\/em\u003e was commissioned by Los Angeles Opera. Originally commissioned by the Oakland-East Bay Gay Men's Chorus.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003eUtilizing an original text by my longtime collaborator, playwright Nilo Cruz, The Five Moons of Lorca lyrically describes the shooting death of dramatist Federico García Lorca (1898-1936) at the hands of Nationalist forces at the beginning of the Spanish Civil War. Hints of Spanish folksong, which García Lorca passionately championed contrary to the decree of the Franco dictatorship, are featured throughout.\u003c\/p\u003e\n\u003cp\u003e— Gabriela Lena Frank\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JaGMLtHCr3Q?si=FsaVuNv2tVZSlzn4\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Gabriela Lena Frank","offers":[{"title":"Default Title","offer_id":46551477321894,"sku":"GSP61264OCT","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp61264oct_tile.jpg?v=1754059894"},{"product_id":"mazzoli-vesper-sparrow-wind-band-set","title":"Vesper Sparrow, for wind band - set","description":"\u003cp\u003eFor wind band of \u003cspan class=\"work-card__orchestration-details\"\u003e0.2.0.2.ssx.asx.tsx.barsx\/\u003c\/span\u003e\u003cspan class=\"work-card__orchestration-details\"\u003e0.2.2+btbn.0\/\u003c\/span\u003e\u003cspan class=\"work-card__orchestration-details\"\u003eperc.mba. 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Performance score for vocalists and conductor.\u003c\/p\u003e","brand":"Julius Eastman","offers":[{"title":"Default Title","offer_id":46733529219238,"sku":"GSP58004DGT","price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp58004dgt_tile.jpg?v=1759955196"},{"product_id":"arlen-altes-lied-und-humoreske","title":"Altes Lied und Humoreske","description":"\u003cp\u003efor piano\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eAltes Lied\u003c\/em\u003e (Old Song) was composed in Vienna. \u003cem\u003eHumoreske\u003c\/em\u003e was begun in Vienna, but completed in America, due to the ‘Anschluss’. Both works are dedicated to the memory of my mother, who was pleased with my interest in music but never took my composing seriously.\u003c\/p\u003e\n\u003cp\u003eAn occurrence, significant in my musical development, is connected with the family estate in Sauerbrunn, a spa resort east of Vienna in former Western Hungary. When my mother, my sister Edith and I arrived at our Villa in 1937, to begin our annual summer vacation, I found, in the kitchen space of our ‘apartment’, a fine upright piano, freshly tuned. I did not ask where it came from. It had to have come from some distant town. There were no telephones yet in small Austrian towns. I never asked questions and never thanked my mother for having done this for me. I have regretted that ever since.\u003c\/p\u003e\n\u003cp\u003eI aimlessly but eagerly improvised, and I composed my two earliest songs. The first was \u003cem\u003eDu bist der Garten\u003c\/em\u003e, on a poem by Anton Wildgans (this became \u003cem\u003eAltes Lied\u003c\/em\u003e for piano solo). The second was \u003cem\u003eWiegenlied\u003c\/em\u003e on a poem by Paul Heyse. This was a lullaby for my newborn cousin Michael (Micky) Rattner, who later shot himself in exile.\u003c\/p\u003e\n\u003cp\u003eI analyzed and annotated, in daily increments, the entire piano reduction of Wagner’s \u003cem\u003eMeistersinger\u003c\/em\u003e that last summer in Sauerbrunn.\u003c\/p\u003e\n\u003cp\u003e— Walter Arlen\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMovements\u003c\/strong\u003e\u003cbr\u003eI. Altes Lied\u003cbr\u003eII. Humoreske\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Exilarte Edition\u003c\/strong\u003e\u003cbr\u003eG. Schirmer\/Wise Music’s Exilarte Edition exclusively publishes works by composers who were persecuted, forced into exile, or murdered by the Nazi regime. All original manuscripts of these works are archived in the Exilarte Center at the mdw – University of Music and Performing Arts Vienna in Austria.\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/track\/0eDXL0GmqQMmXkhqnYy82X?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Walter Arlen","offers":[{"title":"Default Title","offer_id":46795813748902,"sku":"GSP83544SCO","price":17.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp83544sco_tile.jpg?v=1761932083"},{"product_id":"elegy-for-the-victims-of-indifference","title":"Elegy for the Victims of Indifference","description":"\u003cp\u003eFor cello and accordion. \u003cspan\u003eCommissioned by Inbal Segev as part of the 20 for 2020 Recording Project.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003eFor Israeli composer Avner Dorman (b.1975), the invitation to compose a piece reflecting the appalling impact of the pandemic, struck a particularly strong emotional chord. ‘During the course of the coronavirus pandemic and the social upheaval of recent years,’ he points out, ‘I became increasingly aware of the number of people whose lives are lost due to the indifference of those in power. The piece is a lament for these victims of indifference, in the hope that their memories can help us improve as a society. \u003c\/p\u003e\n\u003cp\u003e‘The cello is, perhaps, the most natural instrument for a lament,’ he continues, ‘expressive, pensive, and lyrical. The accordion, its counterpart, marries the spiritual nature of an organ with the simplicity of a folk instrument – easily transported anywhere by a single musician. Structured as a set of variations, descending from the uppermost register of both instruments down to their lowest notes, the piece reflects on the memory of the victims, from the spiritual realm of the heavens down to their resting place in the earth.’ \u003c\/p\u003e\n\u003cp\u003eDorman was a natural choice of composer for Segev as in 2012 she had commissioned a cello concerto from him that became a particular favourite. ‘After performing the concerto a few times,’ she reflects, ‘I wondered what his cello writing would sound like in the more intimate setting of chamber music. The idea of using an accordion was his, and it reminds us of growing up in Israel, where many families get together for evenings of folksong, accompanied by the accordion.\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zUcBA-9Ev2Y?si=u7jhSofWQNd88RpI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Avner Dorman","offers":[{"title":"Default Title","offer_id":46823291650214,"sku":"GSP61365SET","price":18.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp61365set_tile.jpg?v=1762617750"},{"product_id":"miserere-satb-chorus-and-organ","title":"Miserere (SATB Chorus and organ)","description":"\u003cp\u003efor SATB chorus and organ (1969, ca. 10 minutes). Text by Ferdinand von Saar (1833-1906). Packages of 10 choral scores plus 1 piano reduction in German and 1 in English.\u003c\/p\u003e\n\u003cp\u003eThe full score (in German and English) is for the choir and the conductor. The two reductions (German version and English version) are for the organist in rehearsal and performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eText\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable style=\"width: 100%;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eMiserere!\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003eTausendstimmig\u003cbr\u003eUnd aber tausendstimmig\u003cbr\u003eKlagt und schreit es empor:\u003cbr\u003e„Herr, erbarme dich unser!\u003cbr\u003eSiehe:\u003cbr\u003eTausendfältig\u003cbr\u003eUnd aber tausendfältig\u003cbr\u003eDrückt des Daseins Noth uns,\u003cbr\u003eZerfleischt uns unerbittlichen Schwunges\u003cbr\u003eDes Schmerzes Geißel.\u003cbr\u003eUnd wenn wir hinsinken\u003cbr\u003eUnd aushauchen\u003cbr\u003eMit dem letzten Odemzug den letzten Seufzer:\u003cbr\u003eEmporgewachsen schon\u003cbr\u003eIst wieder ein Geschlecht\u003cbr\u003eZu gleicher Drangsal,\u003cbr\u003eZu gleicher Noth …\u003cbr\u003eEnde, o Ende die Qual –\u003cbr\u003eMiserere domine!“\u003cbr\u003eAber ungehört\u003cbr\u003eVerhallt der himmelstürmende Aufschrei.\u003cbr\u003eNiederscheint gleichgültig die Sonne,\u003cbr\u003eLeben weckend.\u003cbr\u003eBefruchtender Regen fällt,\u003cbr\u003eDie Saaten grünen,\u003cbr\u003eEs blühen die Bäume und tragen Früchte,\u003cbr\u003eUnd Ernte um Ernte nähret die Qual ...\u003cbr\u003eVon Zeit zu Zeit nur,\u003cbr\u003eUnerwartet und wie zum Hohn,\u003cbr\u003eSprengen vorüber mit wahllos zerschmetterndem Hufschlag\u003cbr\u003eDie apokalyptischen Reiter.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMiserere!\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003eThousands of voices\u003cbr\u003eAnd yet a thousand voices\u003cbr\u003eCry out and lament:\u003cbr\u003e“Lord, have mercy upon us!\u003cbr\u003eBehold:\u003cbr\u003eThousands,\u003cbr\u003eAnd yet thousands times over\u003cbr\u003eThe trials of life do weigh us down,\u003cbr\u003eTearing us apart with relentless force,\u003cbr\u003eThe scourge of pain.\u003cbr\u003eAnd when we sink down\u003cbr\u003eAnd breathe our last\u003cbr\u003eWith our last breath our last sigh:\u003cbr\u003eNow grown up\u003cbr\u003eIs another generation\u003cbr\u003eTo the same tribulation,\u003cbr\u003eTo the same distress...\u003cbr\u003eEnd, oh end the torment –\u003cbr\u003eMiserere, domine!”\u003cbr\u003eBut unheard fades away\u003cbr\u003eThe Heaven-assailing cry.\u003cbr\u003eShines down unconcerned the sun,\u003cbr\u003eLife awakening.\u003cbr\u003eThe fertile rain falls down,\u003cbr\u003eThe seeds are sprouting,\u003cbr\u003eThe trees are in blossom and bear their fruit,\u003cbr\u003eAnd harvest after harvest augments the torment ...\u003cbr\u003eFrom time to time only,\u003cbr\u003eUnexpected and as if with scorn,\u003cbr\u003eBursting past with scattered thundering of hooves\u003cbr\u003eThe apocalyptic riders.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Exilarte Edition\u003c\/strong\u003e\u003cbr\u003eG. Schirmer\/Wise Music’s Exilarte Edition exclusively publishes works by composers who were persecuted, forced into exile, or murdered by the Nazi regime. All original manuscripts of these works are archived in the Exilarte Center at the mdw – University of Music and Performing Arts Vienna in Austria.\u003c\/p\u003e","brand":"Julius Bürger","offers":[{"title":"Default Title","offer_id":46826811719846,"sku":"GSP83549BND","price":66.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp83549bnd_tile.jpg?v=1762811042"},{"product_id":"overture-from-song-from-the-uproar-for-treble-chorus-and-ensemble","title":"Overture from Song from the Uproar (for treble chorus and ensemble)","description":"\u003cp\u003efor SSAA chorus, pre-recorded electronics, and ensemble (2012, ca. 6 minutes). Packages of 10 choral scores plus 1 full score and set of parts for 1 clarinet, 1 violin, 2 keyboards, 1 double bass, and link to downloadable electronics.\u003c\/p\u003e\n\u003cp\u003eText by the composer from her opera, \u003cem\u003eSong from the Uproar: The Lives and Deaths of Isabelle Eberhardt.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntroduction\u003c\/strong\u003e\u003cbr\u003eIsabelle Eberhardt (1877-1904) was an explorer, nomad, journalist, novelist, passionate romantic, Sufi, and one of the most unique and unusual women of her era. At age twenty, after the death of her mother, brother and father, she left her life in Switzerland for a nomadic and unfettered existence in the deserts of North Africa. She traveled extensively through the desert on horseback, often dressed as a man, relentlessly documenting her travels through detailed journals. At age twenty-seven Isabelle drowned in a flash flood in the desert. \u003cem\u003eSong from the Uproar\u003c\/em\u003e uses texts inspired by her writing to immerse the audience in the surreal landscapes of Isabelle's life; she describes the death of her family, the thrill of her arrival in Africa, her tentative joy at falling in love, the elation of self-discovery and the mystery of death.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eComposer note (excerpt)\u003c\/strong\u003e\u003cbr\u003eIn 2004, within hours of picking up a copy of her journals in a Boston bookstore, I officially became obsessed with Isabelle Eberhardt's strange and moving life story. Within two weeks I had read everything she had ever written and nearly everything written about her, but despite my compulsive reading habits, I still had more questions than answers. \u003cbr\u003e\u003cbr\u003eI was struck by the universal themes of her story – how much her struggles, her questions, her passions, mirrored those of women throughout the 20th and 21st century. Isabelle made a great effort to define herself as an independent woman under extreme circumstances. She dressed as a man, seeing this as the only way to move freely and live the life of her choice. She let herself fall deeply in love but struggled to maintain her independent lifestyle. \u003cbr\u003e\u003cbr\u003eI knew immediately that I wanted to create a large-scale work about Isabelle, and I knew that I wanted it to be more of a personal response to her life than a detailed retelling of her story. I needed to start answering my own questions, imagining how she felt, filling in the spaces between journal entries and exploring the universality that make her story so vibrant and relevant to me over one hundred years after her death.\u003cbr\u003e\u003cbr\u003eIn 2007, three years after discovering Isabelle, I began work on the libretto for \u003cem\u003eSong from the Uproar: The Lives and Deaths of Isabelle Eberhardt\u003c\/em\u003e, pulling phrases and ideas from her journals and creating singable texts that, over the following year, I set to music.\u003cbr\u003e\u003cbr\u003e— Missy Mazzoli\u003c\/p\u003e\n\u003cp\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/track\/7Fhfg8rXTdt7cxLwe1OYeN?utm_source=generator\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Missy Mazzoli","offers":[{"title":"Default Title","offer_id":55953551786150,"sku":"GSP83572BND","price":102.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp83572bnd_tile_362e4323-ef2e-4ee2-8f95-bce458bd20d5.jpg?v=1764020865"},{"product_id":"wilson-piano-piece","title":"Piano Piece","description":"\u003cp\u003eFor amplified prepared piano and pre-recorded audio. The downloadable file is in stereo (two-channel) WAV format.\u003cbr\u003e\u003cbr\u003eOlly Wilson created the original electronic tape at the University of California-Berkeley Electronic Music Studio. Pianist Natalie Hinderas gave the premiere performance.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/553LOFI69c9Iu2hblJ3D4K?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Olly Wilson","offers":[{"title":"Default Title","offer_id":55987010699430,"sku":"GSP34492BND","price":16.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp34492sco_tile.jpg?v=1764788544"},{"product_id":"tan-dun-blue-orchid","title":"Blue Orchid","description":"\u003cp\u003eFor piano. Duration 4 minutes, 45 seconds.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlue Orchid\u003c\/em\u003e was commissioned for the Rudolph Buchbinder Diabelli 2020 project, supported by the Ernst von Siemens Music Foundation.\u003c\/p\u003e\n\u003cp\u003eFor Rudolf Buchbinder's recording of Beethoven's thirty-three variations on a simple waltz by Anton Diabelli (the 'Diabelli Variations' he composed between 1819 and 1823), Buchbinder added a few by Beethoven's contemporaries to the album. Notably, he also commissioned eleven more 21st-century composers to write variations for the recording, including Tan Dun's contemplative \u003cem\u003eBlue Orchid\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eListen on \u003ca href=\"https:\/\/youtu.be\/iH5-NeAkTq0?si=BFhTmvpd4Jlh7aUs\" target=\"_blank\"\u003eYouTube\u003c\/a\u003e.\u003c\/p\u003e","brand":"Tan Dun","offers":[{"title":"Default Title","offer_id":56071594541222,"sku":"GSP83681SCO","price":11.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp83681sco_tile.jpg?v=1767650210"},{"product_id":"spices-perfumes-toxins-arranged-for-2-percussion-and-2-pianos","title":"Spices, Perfumes, Toxins! (arranged for 2 percussion and 2 pianos)","description":"\u003cp\u003e2 percussion scores, 2 piano scores, 1 full score\u003c\/p\u003e\n\u003cp\u003earr. Paul Leonard Schäffer.\u003c\/p\u003e\n\u003cp\u003eThe first movement is based on \u003cem\u003eUdacrep Akubrad\u003c\/em\u003e, originally composed in 2001 and orchestrated in 2003. \u003cem\u003eUdacrep Akubrad\u003c\/em\u003e was commissioned by the Jerusalem Music Center and PercaDu.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion\u003c\/strong\u003e\u003cbr\u003ePlayer 1: Marimba, Vibraphone, 2 Darbukas (high and low), Tom-tom, Drum Set, Medium Tamtam, Wind Chimes\u003cbr\u003ePlayer 2: Marimba, Glockenspiel, 2 Darbukas (high and low), Tom-tom, Drum Set\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003eThe title \u003cem\u003eSpices, Perfumes, Toxins!\u003c\/em\u003e refers to three substances that are extremely appealing, yet filled with danger. Spices delight the palate, but can cause illness; perfumes seduce, but can also betray; toxins bring ecstasy, but are deadly. The concerto combines Middle-Eastern drums, orchestral percussion, and rock drums with orchestral forces – a unique sound both enticing and dangerous.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpices, Perfumes, Toxins!\u003c\/em\u003e is a result of years of collaboration with PercaDu. While we were still students at the Rubin Academy of Music in Tel-Aviv, Tomer and Adi asked me to write a piece for them. All three of us aimed at a piece that would be markedly Israeli and would reflect young Israeli culture. The process of composing the piece involved working closely with PercaDu on my ideas and testing them on the instruments long before the piece was done. In hindsight, I believe that the most important choice in making the piece sound Israeli was the use of four Darbukas and Tom-Toms in addition to the Marimbas. The piece, \u003cem\u003eUdacrep Akubrad\u003c\/em\u003e (PercaDu Darbuka spelled backwards) became one of PercaDu’s signature pieces and my most performed composition and is the basis for the first movement of the concerto. \u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpices\u003c\/em\u003e - the first movement draws its inspiration from the music of our region (extending its boundaries to the east as far as the Indian sub-continent). The piece is largely based on Middle-Eastern and Indian scales and uses the Indian system of Talas for rhythmic organization. I use these elements within a large-scale dramatic form and employ repetitive minimalism as it appears in the music traditions of the East and in the works of Western minimalists of the past forty years. Approximately at the movement’s golden section there is a cadenza that precurses the last movement of the concerto. \u003cbr\u003e\u003cbr\u003eIn \u003cem\u003ePerfumes\u003c\/em\u003e, the sonic world changes as one of the percussionists leaves the marimba and plays on a vibraphone. In \u003cem\u003ePerfumes\u003c\/em\u003e I use what I call multicultural polyphony. The opening theme of the movement (in the marimba) is reminiscent of Baroque arias. The three flutes that accompany the melody (regular, alto, and bass) echo the ornamental nature of the melody and transform it into lines characteristic of Middle-Eastern folk music. At the same time, the bass line borrows its sound from the world of Jazz. Each part of the texture contributes the “soul” of its genre, so to speak, in an effort to create a humanistic whole that express the diversity of our time and culture. As the movement progresses the soloists and orchestra embark on a colorful journey from the seductive to the dangerous. \u003cbr\u003e\u003cbr\u003eIn \u003cem\u003eToxins!\u003c\/em\u003e the soloists use the entire variety of percussion instruments at their disposal. The movement is based on alternation between an aggressive rhythmic pattern (played on drumsets) and passionate outbursts in the orchestra. It swings like a pendulum between extreme joyous ecstasy and obsessive anxiety, pain, and delusions. As the movement develops, the music becomes increasingly fanatical until the final outburst of catharsis and death. \u003cbr\u003e\u003cbr\u003e— Avner Dorman\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Avner Dorman","offers":[{"title":"Default Title","offer_id":56089462177958,"sku":"GSP83711SET","price":99.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp83711set_tile.jpg?v=1768272543"},{"product_id":"aucoin-sources-of-lift","title":"Sources of Lift","description":"\u003cp\u003efor two pianos\u003c\/p\u003e\n\u003cp\u003eCommissioned by Mashey Bernstein for Conor Hanick and Matthew Aucoin\u003c\/p\u003e\n\u003cp\u003eThe work takes its title, and the titles of each of its three movements, from the poetry of Ben Lerner.\u003cbr\u003e1. The Camperdown Elm\u003cbr\u003e2. Contre-jour\u003cbr\u003e3. Sources of Lift\u003c\/p\u003e\n\u003cp\u003e‘…Aucoin’s adroit, transparent structures and his consistently engaging dialogue between the two pianos won my eager attention. He is not afraid to write a melody, and he employs the two pianos not for their powerful dynamic potential, but rather to give an orchestral depth and complexity to his score.’\u003cbr\u003e— Ken Herman, \u003cem\u003eSan Diego Story\u003c\/em\u003e\u003c\/p\u003e","brand":"Matthew Aucoin","offers":[{"title":"Default Title","offer_id":56091435008166,"sku":"GSP80964SET","price":57.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp80964set_tile.jpg?v=1768340006"},{"product_id":"dohnanyi-passacaglia-for-flute-solo-digital","title":"Passacaglia for flute solo - Digital","description":"\u003cp\u003ePrintable PDF for flute solo. Op. 48, No. 2.\u003c\/p\u003e\n\u003cp\u003eDuration: 9 minutes\u003c\/p\u003e\n\u003cp\u003eThough Ernst von Dohnányi composed his \u003cem\u003ePassacaglia\u003c\/em\u003e in Tallahassee, FL, where he was a professor at Florida State University, he dedicated it to flutist Eleanor Baker Lawrence, the daughter of his friend John Baker, president of Ohio University in Athens, OH.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/0maATi14hE4fnRRxSJtdeM?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Ernst von Dohnanyi","offers":[{"title":"Default Title","offer_id":56091985084582,"sku":"GSP83721PDGT","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp83721dgt_tile.jpg?v=1774892259"},{"product_id":"rozsa-sonatina-for-clarinet-digital","title":"Sonatina for Clarinet - Digital","description":"\u003cp\u003ePrintable PDF for clarinet\u003c\/p\u003e\n\u003cp\u003eDuration: 9 minutes\u003c\/p\u003e\n\u003cp\u003eMiklós Rózsa's Sonatina is a significant unaccompanied work, drawing on Hungarian folk music influences and showcasing the clarinet's capabilities in its two movements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMovements\u003c\/strong\u003e\u003cbr\u003eI. Tema con variazioni\u003cbr\u003eII. Vivo e giocoso\u003c\/p\u003e","brand":"Miklós Rózsa","offers":[{"title":"Default Title","offer_id":56096513720486,"sku":"GSP66232PDGT","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp66232dgt_tile.jpg?v=1774892669"},{"product_id":"hovhaness-chahagir-digital","title":"Chahagir - Digital","description":"\u003cp\u003ePrintable PDF for viola, Op. 56a (1944)\u003c\/p\u003e\n\u003cp\u003eDuration: 5 minutes\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eChahagir\u003c\/em\u003e, or “torchbearer,” is based on an Armenian folk song.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/track\/1h4mJOB8Kjggl6qhcmAEpL?utm_source=generator\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Alan Hovhaness","offers":[{"title":"Default Title","offer_id":56096772194470,"sku":"GSP83730PDGT","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp83730dgt_tile.jpg?v=1774892758"},{"product_id":"tailleferre-sonata-for-clarinet-solo-digital","title":"Sonata for Clarinet Solo - Digital","description":"\u003cp\u003ePrintable PDF for clarinet\u003c\/p\u003e\n\u003cp\u003eDuration: 6 minutes 30 seconds\u003c\/p\u003e\n\u003cp\u003eGermaine Tailleferre was the only female of the French group of composers known as \u003cem\u003eLes Six\u003c\/em\u003e. Her short, charming sonata is lyrical, with a brief cadenza in the third movement.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMovements\u003c\/strong\u003e\u003cbr\u003eI. Allegro tranquillo\u003cbr\u003eII. Andantino espressivo\u003cbr\u003eIII. Allegro brioso\u003c\/p\u003e","brand":"Germaine Tailleferre","offers":[{"title":"Default Title","offer_id":56096812204198,"sku":"GSP83731PDGT","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp83731dgt_tile.jpg?v=1774892942"},{"product_id":"carpenter-quartet-for-stringed-instruments","title":"Quartet for Stringed Instruments","description":"\u003cp\u003e2vn, va, vc (score and parts)\u003c\/p\u003e\n\u003cp\u003eDuration: 23 minutes\u003c\/p\u003e\n\u003cp\u003eCarpenter dedicated his elegant and intricate quartet to Rue Winterbotham Carpenter, an art collector, philanthropist, and his wife.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMovements\u003c\/strong\u003e, played without pause\u003cbr\u003eI. Allegro\u003cbr\u003eII. Adagio\u003cbr\u003eIII. Moderato\u003c\/p\u003e\n\u003cp\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/track\/1vDBLyDzIF2imyCRM5Adfp?utm_source=generator\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"John Alden Carpenter","offers":[{"title":"Default Title","offer_id":56101269274790,"sku":"GSP25203SET","price":58.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp25203set_tile.jpg?v=1768579844"},{"product_id":"la-montaine-sonata-for-flute-solo-digital","title":"Sonata for Flute Solo - Digital","description":"\u003cp\u003ePrintable PDF for flute solo. Op. 24\u003c\/p\u003e\n\u003cp\u003eDuration: 9 minutes\u003c\/p\u003e\n\u003cp\u003eLa Montaine's Sonata is a standard work in the unaccompanied flute repertoire. He dedicated it to Paul Renzi, principal flautist of the San Francisco Symphony for over 50 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMovements\u003c\/strong\u003e\u003cbr\u003eI. Questioning\u003cbr\u003eII. Jaunty\u003cbr\u003eIII. Introspective\u003cbr\u003eIV. Rakish\u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/2NiIQmC7EGRITWKy5w0iYc?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"John La Montaine","offers":[{"title":"Default Title","offer_id":56101547540646,"sku":"GSP83749PDGT","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp83749dgt_tile.jpg?v=1774891228"},{"product_id":"sills-conclusion-to-suite-for-viola-solo-by-ernest-bloch-digital","title":"Conclusion to Suite for Viola Solo by Ernest Bloch - Digital","description":"\u003cp\u003ePrintable PDF for viola (1989)\u003c\/p\u003e\n\u003cp\u003eDuration: 2 minutes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003cbr\u003eErnest Bloch's \u003cem\u003eSuite for Viola Solo\u003c\/em\u003e (\u003cu\u003e\u003ca href=\"https:\/\/www.classicalondemand.com\/products\/bloch-suite-for-viola-solo-digital\"\u003eGSP83753PDGT\u003c\/a\u003e\u003c\/u\u003e) remained unfinished at this death; only the music through measure 25 of the fourth movement had been completed. Nevertheless, some sketches for the remainder of the \u003cem\u003eSuite\u003c\/em\u003e do survive, and it is upon these sketches that the present \u003cem\u003eConclusion\u003c\/em\u003e is based. The composer gratefully acknowledges the assistance of Suzanne Bloch in making these sketches available to him.\u003c\/p\u003e\n\u003cp\u003e— David Sills\u003c\/p\u003e","brand":"David Sills","offers":[{"title":"Default Title","offer_id":56106209181862,"sku":"GSP83752PDGT","price":8.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp83752dgt_tile.jpg?v=1774891324"},{"product_id":"bloch-suite-for-viola-solo-digital","title":"Suite for Viola Solo - Digital","description":"\u003cp\u003ePrintable PDF for viola (1959)\u003c\/p\u003e\n\u003cp\u003eDuration: 9 minutes\u003c\/p\u003e\n\u003cp\u003eThe work ends during the final movement, unfinished by Bloch at his death in 1959.\u003c\/p\u003e\n\u003cp\u003eSee \u003cu\u003e\u003ca href=\"https:\/\/www.classicalondemand.com\/products\/sills-conclusion-to-suite-for-viola-solo-by-ernest-bloch-digital\"\u003eGSP83752PDGT\u003c\/a\u003e\u003c\/u\u003e for the 1989 completion by violist David Sills.\u003c\/p\u003e","brand":"Ernest Bloch","offers":[{"title":"Default Title","offer_id":56106317906086,"sku":"GSP83753PDGT","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp83753dgt_tile.jpg?v=1774891131"},{"product_id":"caccini-aure-volanti-ssa-digital","title":"Aure volanti (SSA) - Digital","description":"\u003cp\u003ePrintable PDF for SATB chorus, 3 flutes, and continuo. License to print 10 octavos for rehearsal and performance.\u003c\/p\u003e\n\u003cp style=\"color: red;\"\u003ePrinting more than the number of 10-octavo licenses purchased is not allowed.\u003c\/p\u003e\n\u003cp\u003eDuration: 3 minutes\u003c\/p\u003e\n\u003cp\u003eEdited and translated by Carol Raney\u003c\/p\u003e\n\u003cp\u003eFrancesca Caccini, the eldest daughter of Giulio Caccini, concertized widely and created musical entertainments for the Medici court. \u003cem\u003eAure volanti\u003c\/em\u003e is from her 1625 opera \u003cem\u003eLa Liberazione di Ruggerio dall' isola d'Alcina\u003c\/em\u003e with librettist Fernando Saracinelli.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eThree parts for flutes (or recorders) are in the choral score.\u003c\/p\u003e","brand":"Francesca Caccini","offers":[{"title":"Default Title","offer_id":56131486777510,"sku":"GSP83768PDGT","price":27.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp83768dgt_tile.jpg?v=1774891438"},{"product_id":"faure-cantique-de-jean-racine-satb-piano-digital","title":"Cantique de Jean Racine (SATB, piano) - Digital","description":"\u003cp\u003ePrintable PDF for SATB chorus and piano. License to print 10 PDF octavos for rehearsal and performance.\u003c\/p\u003e\n\u003cp style=\"color: red;\"\u003ePrinting more than the number of 10-octavo licenses purchased is not allowed.\u003c\/p\u003e\n\u003cp\u003eDuration: 5 minutes\u003c\/p\u003e\n\u003cp\u003eEdited by Herbert Zipper. English text by Harold Heiberg.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCantique de Jean Racine\u003c\/em\u003e is one of Gabriel Fauré's most popular works. It was composed in 1865, Fauré's last year as a student at the Ecole Niedermeyer in Paris, and it earned Fauré the Ecole's First Prize in Composition for that year.\u003c\/p\u003e","brand":"Gabriel Fauré","offers":[{"title":"Default Title","offer_id":56131637837990,"sku":"GSP83751PDGT","price":27.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp83751dgt_tile.jpg?v=1774891616"},{"product_id":"nin-culmell-la-virgen-lava-panales-satb-digital","title":"La Virgen lava pañales (SATB) - Digital","description":"\u003cp\u003ePrintable PDF for SATB chorus and tambourine. License to print 10 octavos for rehearsal and performance.\u003c\/p\u003e\n\u003cp style=\"color: red;\"\u003ePrinting more than the number of 10-octavo licenses purchased is not allowed.\u003c\/p\u003e\n\u003cp\u003eDuration: 1 minute\u003c\/p\u003e\n\u003cp\u003eSpanish\/English\u003c\/p\u003e\n\u003cp\u003eThe Virgin washes swaddling clothes, a traditional Spanish Christmas carol.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eThe tambourine part is in the choral score.\u003c\/p\u003e","brand":"Joaquín Nin-Culmell","offers":[{"title":"Default Title","offer_id":56154665222310,"sku":"GSP83784PDGT","price":27.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0487\/2355\/8566\/files\/gsp83784dtg_tile.jpg?v=1774892123"}],"url":"https:\/\/www.classicalondemand.com\/collections\/new-releases.oembed?page=4","provider":"Classical on Demand","version":"1.0","type":"link"}